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Apr. 29th, 2009 11:42 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
meimichiYes, I did this before, but only with two out of three. Now it's all three scenes, and much more *~complete~*.
SHUT UP. I HAVE A PROBLEM. I DID NOT FEEL THE OLD ONE WAS QUITE OBSESSIVE ENOUGH.
I (STILL) LOVE THESE SEQUENCES LIKE PIE, if my header did not make that staggeringly obvious.
I didn't include the flashes from "Abyss" because that would just make it more confusing.
+ "Vessel" has the shots from Clark's POV, "Abyss" from Chloe's. Both scenes start with the camera rotating around each one as they turn around looking for the other, with the other walking into the shot.
+ Also, Chloe and Clark's positions are reversed when they go to stand at the desk in both eps.
+ All three scenes have a radio in them, with Chloe turning it on and adjusting the dial in both "Vessel" and "Infamous."
+ In both "Vessel" and "Abyss," seriously my favorite part of both scenes is how the bullpen is swarming with people when Chlark enter. But by the time it gets to the key moment, everyone else in the Planet has faded away and it's just the two of them.
+ Chloe doesn't remember either the "Abyss" or "Infamous" scenes when all is said and done. But in Chloe's memory in "Abyss," the dialogue goes:
"I can't lose you, Clark!"
"Chloe, I'll never leave you."
While in "Infamous," it goes:
"Am I losing you, Clark? If this is goodbye, I'm not saying it."
"No, Chloe, when this all dies down, I'll find you! I promise!"
...I just like that the Clark in Chloe's mind is basically no different from the one in reality. ♥
+ The whole "breakdown" part of the sequence really requires no explanation.WHY ARE THE OTHER TWO EPISODES LACKING IN EPIC MAKEOUTS
+ The one thing that bugs picspam-wise is that they do the bit where they're holding onto each other's shoulders in all three scenes. But the timing is different in all three, and in "Abyss" the shot is so tight you can't even tell they're doing it except from Clark's posture when he says, "Chloe, I'll never leave you."
+ IN CONCLUSION I LOVE THESE SCENES MORE THAN ANYTHING ELSE EVER ♥ ♥ ♥
SHUT UP. I HAVE A PROBLEM. I DID NOT FEEL THE OLD ONE WAS QUITE OBSESSIVE ENOUGH.
I (STILL) LOVE THESE SEQUENCES LIKE PIE, if my header did not make that staggeringly obvious.
I didn't include the flashes from "Abyss" because that would just make it more confusing.
+ "Vessel" has the shots from Clark's POV, "Abyss" from Chloe's. Both scenes start with the camera rotating around each one as they turn around looking for the other, with the other walking into the shot.
+ Also, Chloe and Clark's positions are reversed when they go to stand at the desk in both eps.
+ All three scenes have a radio in them, with Chloe turning it on and adjusting the dial in both "Vessel" and "Infamous."
+ In both "Vessel" and "Abyss," seriously my favorite part of both scenes is how the bullpen is swarming with people when Chlark enter. But by the time it gets to the key moment, everyone else in the Planet has faded away and it's just the two of them.
+ Chloe doesn't remember either the "Abyss" or "Infamous" scenes when all is said and done. But in Chloe's memory in "Abyss," the dialogue goes:
"I can't lose you, Clark!"
"Chloe, I'll never leave you."
While in "Infamous," it goes:
"Am I losing you, Clark? If this is goodbye, I'm not saying it."
"No, Chloe, when this all dies down, I'll find you! I promise!"
...I just like that the Clark in Chloe's mind is basically no different from the one in reality. ♥
+ The whole "breakdown" part of the sequence really requires no explanation.
+ The one thing that bugs picspam-wise is that they do the bit where they're holding onto each other's shoulders in all three scenes. But the timing is different in all three, and in "Abyss" the shot is so tight you can't even tell they're doing it except from Clark's posture when he says, "Chloe, I'll never leave you."
+ IN CONCLUSION I LOVE THESE SCENES MORE THAN ANYTHING ELSE EVER ♥ ♥ ♥
